Eastside Road, Healdsburg, February 20, 2009
OVER ON HIS BLOG Renewable Music, Daniel Wolf writes
Not writing enough (i.e. almost no) songs. Why? A terrific fear of words (sounds, meanings of words, appropriate scansion, emphasis) and not being, myself, a singer.
In his fascinating (though to me unsatisfyingly negligent about the walking itself) memoir As I Walked Out One Midsummer Morning , Laurie Lee describes an evening in a peasant's hovel, when he broke out his violin — he was walking across Spain in 1935 with only his violin to support him — and played for his hosts. At first they listened in silence; then, we he played a "woozy fandango" he's picked up a few days earlier in Zamora, they came to life, the man and wife dancing savagely and powerfully, the two boys picking up spoons to accentuate the rhythm.
The sons asked me for another tune, and this time they danced together, with linked arms, rather sedate and formal. The daughter came quietly and sat on the floor beside me, watching my fingers as I played. the scent of her nearness swam troublesomely around me with a mixture of pig’s lard and sharp clean lavender.
The girl was asked to sing, and she did as she was told, in a flat unaffected voice. The songs were simple and moving, and probably local, anyway, I’ve never heard them since. She sang them innocently, without art, taking breath like a child, often in the middle of a word. Staring blankly before her, without movement or expression, she simply went through each one, the stopped -- as though she’d really no idea what the songs were about, only that they were using her to be heard.
With the singing over, we sat in silence for a while, hearing only the trembling sound of the lamp. Then the woman grunted and spoke, and the boys got up from the table and fetched the mattresses and laid them down by the wall.
This, I think, is what song should be, artless and spontaneous. Of course it's impossible to achieve in a salon or a concert hall, and impossible to compose. But when we attempt to compose it this is the thing to strive for. It's what I like in Ives and Scelsi.
Laurie Lee: As I Walked Out One Midsummer Morning
(New York: W.W. Norton, 1985, pp. 63-64)
(New York: W.W. Norton, 1985, pp. 63-64)